1767 - 1851 , was an artist in England and in early colonial Australia. Duterrau was was born in London to parents of French descent. Duterrau was apprenticed to an engraver and in 1790 did two coloured stipple engravings after Morland, The Farmer's Door and The Squire's Door. Taking up painting, between 1817 and 1823 he exhibited six portraits at Royal Academy exhibitions, and he also exhibited three genre pieces at the British Institution about the same period. Duterrau emigrated to Van Diemen's Land (now Tasmania), arriving in August 1832 with his daughter. He lived at the corner of Campbell and Patrick Streets in Hobart, and practised as a portrait painter. In 1835 he did some etchings of Indigenous Australians, the first examples of that craft to be done in Australia. His most famous painting The Conciliation is in the Hobart gallery with a self-portrait and other works, including some modelling in relief. A large landscape is in the Beattie collection at Launceston, and he is also represented in the Dixson collection at Sydney. Duterrau died at Hobart in 1851.   Related Paintings of Benjamin Duterrau :. | Flemish Kitchen | Vue sur I Estaque et le chateau d'lf | The Way to Calvary ww | Retrato de la Marquesa de Llano | sondag -sondagsvila |
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Edward Moran
(August 19, 1829 in Bolton, Lancashire, England -June 8, 1901 in New York City) was an American artist. He emigrated with his family to America at the age of 15, and subsequently settled in Philadelphia, where after having followed his fathers trade of weaver, he became a pupil of James Hamilton and Paul Weber. In 1862 he became a pupil of the Royal Academy in London; he established a studio in New York in 1872, and for many years after 1877 lived in Paris. He was a painter of marine subjects and examples of his work such as Devile Crag; Island of Grand Manan are in many prominent collections. Among his canvases are 13 historical paintings, intended to illustrate the marine history of America from the time of Leif Ericsson to the return of Admiral Dewey's fleet from the Philippines in 1899. His sons Edward Percy Moran (born 1862) and Leon Moran (born 1864), and his brothers Peter Moran (born 1842) and Thomas Moran.
Hans von Kulmbach
(real name Hans Suess or Hans Seß) was born around 1480 in Kulmbach, Franconia and died previous to Dec. 3, 1522 in Nuremberg. Hans von Kulmbach was the artist who created the Krakew St. John's Altar. Kulmbach probably arrived in Nuremberg around 1505. He received instruction by Jacopo de' Barbari, who for a time worked in Nuremberg. Von Kulmbach then apprenticed with Albrecht Derer and after Derer retired from painting altarpieces in 1510 Kulmbach took over most of his commissions. Kulmbach had his own workshop in Nuremberg and at times worked in Krakew. He also created artworks for emperor Maximilian I and for Margrave Casimir Hohenzollern von Brandenburg-Kulmbach. His best works were stained-glass windows in churches, such as the Maximilian stained-glass, Margrave stained-glass at St. Sebald in Nuremberg, the Welser stained-glass at the Frauenkirche and the Nikolaus altar at Lorenzkirche. In 1511 he finished the St. Mary's altar at Skałka in Krakew. The Catherine and St. John's altar also in Krakew, are among his best works.
ALTDORFER, Albrecht
German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.